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    <loc>https://bartondisplay.com/press</loc>
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    <lastmod>2022-01-10</lastmod>
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    <loc>https://bartondisplay.com/press/2019/3/11/zrmanja-falls-croatia-acyjg-fcjyw-njg4c</loc>
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    <priority>0.5</priority>
    <lastmod>2020-04-06</lastmod>
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    <loc>https://bartondisplay.com/press/2019/3/11/monmouth-glacier-ak-e7j2m-hmp9m-cyftp</loc>
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    <lastmod>2020-04-06</lastmod>
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  <url>
    <loc>https://bartondisplay.com/press/2019/3/11/haauknee-slabs-az-w8n6p-cfxt3-xt8ah</loc>
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    <priority>0.5</priority>
    <lastmod>2020-04-07</lastmod>
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    <loc>https://bartondisplay.com/press/2019/3/11/echo-range-mx-bknel-j9kxs-yammm</loc>
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    <lastmod>2020-04-07</lastmod>
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  <url>
    <loc>https://bartondisplay.com/releases</loc>
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    <priority>0.75</priority>
    <lastmod>2022-11-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61dc664fba209c176111a7eb/38b7d734-a1ca-4dc0-9787-87cc9ef861f2/NONTENT+EP+-crop2+web+size.png</image:loc>
      <image:title>RELEASES - NONTENT</image:title>
      <image:caption>EP — 2022 — POST-DREIFING BART’s debut EP NONTENT offers a kaleidoscopic palette of genre-defying tracks that persistently cross the gap between pop and avant-garde. The dynamic compositions featured on the EP comprise a loud, textured and noisy fever-dream where anxiety and disorientation are rampant among digital glitches and rumbling underbelly basses.</image:caption>
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      <image:title>RELEASES - IDENTITY POINTS</image:title>
      <image:caption>SINGLE — 2020 — AGALMA Voice by Merel Wentink Isoliminal is Agalmas first compilation project. It consists of individual tracks produced in isolation over the past two months by the various artists involved with the Icelandic electronic and experimental scenes that are featured in the Agalma catalogue. Conceived as a collaborative effort to hold out against the lingering depression many have faced caused by this years absurd run of events, it features a wide spectrum of musical offerings ranging from freely improvised experimental one-takes and heart-wrenching ambient soundscapes to acid-marinated synth pop and near stadium-worthy electronic power ballads.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61dc664fba209c176111a7eb/4731ed81-130e-4214-ab73-f5620035dc9c/Nadya+KID+singles.png</image:loc>
      <image:title>RELEASES - NADYA KID</image:title>
      <image:caption>SINGLES — 2019/2020 In a sonic exploratory phase, BART produces a set of singles under the alias Nadya KID. Ranging from Hei Hei’s chaotic vocal infused, gridlocked beats to Camerabox’s ethereal harmonics, to Bird Under Bridge’s slowmotion hardcore experience. This set of singles defines a transition from BART’s instrumental roots towards a more expanded, textural approach to his music. [REMASTERED IN 2022]</image:caption>
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  <url>
    <loc>https://bartondisplay.com/about</loc>
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    <priority>0.75</priority>
    <lastmod>2025-08-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61dc664fba209c176111a7eb/1652901510736-Q512C13XNSC4OTF1S94G/G2K-Bart-Bruinsma-Sjoerd-Knol-Hoge-Kwaliteit-Kleur-8%2Bcopy.jpg</image:loc>
      <image:title>ABOUT</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61dc664fba209c176111a7eb/0e3cf3d3-39bb-43c8-a12d-260cd9bd4391/G2K-Bart-Bruinsma-Sjoerd-Knol-Web-Kleur-3.jpg</image:loc>
      <image:title>ABOUT</image:title>
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  <url>
    <loc>https://bartondisplay.com/home</loc>
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    <priority>1.0</priority>
    <lastmod>2026-02-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61dc664fba209c176111a7eb/5e9c8a44-7882-417e-b157-fbd2776db4e8/Extra-Bart-Bruinsma-G2K-fotoshoot-OOST-sjoerd-knol-346.jpg</image:loc>
      <image:title>Home</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/61dc664fba209c176111a7eb/08f8b4b5-d5f6-49e8-ac74-67776417d74a/Extra-Bart-Bruinsma-G2K-fotoshoot-OOST-sjoerd-knol-346+DUPLICATE.jpg</image:loc>
      <image:title>Home</image:title>
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    <image:image>
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      <image:title>Home - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://bartondisplay.com/installations</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-08-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61dc664fba209c176111a7eb/00e12c21-6e98-4661-beaa-7fddcac910d4/i+forgot+website+fit.jpg</image:loc>
      <image:title>INSTALLATIONS - BOX</image:title>
      <image:caption>AUDIOVISUAL INSTALLATION — 2025 BOX is a composition about forgetting. About archiving and our relationship to the tools and technology we use to capture and retain our experiences. The composition moves through a sequence of five scenes, each reflections on forgetting and the concept of negative space. Voice memos and smartphone footage make up the base materials for the composition. While the framework of the composition is planned, each showing of the work is unique in how the audiovisual network renders the pixels and sound live. composition for 2 channel audio and LED screen. 20 minutes, non-looping. size variable.</image:caption>
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    <image:image>
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      <image:title>INSTALLATIONS - THINGS OF BORROWED SCRAPS AND PATCHES</image:title>
      <image:caption>INSTALLATION — 2019 THINGS OF BORROWED SCRAPS AND PATCHES is an 8.0 (eight-channel) speaker-array composition. The composition invites the audience into the space which the speaker-array occupies and invites them to move (or stay put) however they wish and choose. The composition is 20 minutes long, existing out of 3 sound-phases which are highlighted through the use of simple and subtle light-cues. composition for 8 channel audio and lights. 20 minutes, non-looping.</image:caption>
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    <image:image>
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      <image:title>INSTALLATIONS - TENDER (then punch me)</image:title>
      <image:caption>AUDIO INSTALLATION — 2022 TENDER (then punch me) is a collaborative art project with Ragnheiður Erla Björnsdóttir (ERLA). Merging sound, visual art and poetry into musical compositions. The installation is made up out of a 10-channel speaker array installation and a light installation. The composition is divided into three parts: morning, midday and evening and plays for a total of 9 hours of electro-acoustic music and fragmented poetic vocal recordings.  Music and abstract poetry are used to ‘give a voice’ to these intangible emotions, strangeness and soreness. Especially because such feelings are impossible to put into plain words. composition for 10 channel audio and lights. 20 minutes, non-looping.</image:caption>
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  <url>
    <loc>https://bartondisplay.com/soundtracks</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/61dc664fba209c176111a7eb/d29a32b6-67cc-4a69-ad98-c2151344cbbc/412779930_18317477692191628_4570095577588895838_n.jpg</image:loc>
      <image:title>SOUNDTRACKS - TEDDY’S LAST RIDE - GOODBYE_PORN</image:title>
      <image:caption>MUSIC BY BARTONDISPLAY — 2023 Goodbye_porn is an exploratory club experience about queer intimacy, club spaces and promiscuity. This rave in the making aims to explore and portray different ways we can be intimate with each other by deconstructing pornography and normative sexuality. Through moving limbs, risk taking, yet vulnerable physicalities and techno, four bodies will take you on a clubbing journey into pleasure and intimacy, by removing the shame and taboos that often follow sexuality, and inviting you to shed your own assumptions on what intimacy can be and look like. video 1 / video 2</image:caption>
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    <image:image>
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      <image:title>SOUNDTRACKS - MOHAMED YUSUF BOSS - LABA</image:title>
      <image:caption>MUSIC BY BARTONDISPLAY — 2022 In ‘LABA’, dancer and choreographer Mohamed Yusuf Boss explores the concept of ‘being home’ through the fundamentals of Hiphop and other styles including the African Pantsula and Jaandheer. With the strong collective character of these different styles of dance, Yusuf Boss delves into the relationship between the individual &amp; a country or home that doesn’t officially exist, like Somaliland. What does a relationship like that do to a person? What is there you identify with? ★★★★⭐︎ - volkskrant video 1 / video 2</image:caption>
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    <image:image>
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      <image:title>SOUNDTRACKS - NINA IGGY - SYMBIOTIC CELL DIVISION</image:title>
      <image:caption>MUSIC BY BARTONDISPLAY — 2021 Nina Iggy and Jos Jacob play with the boundaries between comfort and discomfort and challenge the audience to enter a different, strange dreamworld where beauty and the unknown enhance each other in rawness.</image:caption>
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      <image:title>SOUNDTRACKS - MOHAMED YUSUF BOSS - KÓW</image:title>
      <image:caption>MUSIC BY BARTONDISPLAY — 2019 With KÖW, Groningen based dancer and autodidact choreographer Mohamed Yusuf Boss exposes what happens during the (first) moments of contact between people. A dance performance about giving yourself space and how you relate to the other. With a filmic soundscape by Bart Bruinsma and an almost phenomenological approach, KÖW reveals what is necessary to experience human contact.</image:caption>
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    <loc>https://bartondisplay.com/box-photos</loc>
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    <lastmod>2025-08-19</lastmod>
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  <url>
    <loc>https://bartondisplay.com/cardwip8947579531</loc>
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    <lastmod>2025-12-08</lastmod>
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